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Songs of Contrasting Subjects - soprano​/​guitar

by David Braid

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1.
Upon The Snail (1686) - John Bunyan She goes but softly, but she goeth sure, She stumbles not as stronger creatures do; Her journey’s shorter, so she may endure Better than they which do much farther go. She makes no noise, but stilly seizeth on The flower or herb appointed for her food, The which she quietly doth feed upon, While others range and gare, but find no good. And though she doth but very softly go, However ’tis not fast, nor slow, but sure; And certainly they that do travel so, The prize they do aim at, they do procure.
2.
Fear no more 05:28
Fear no more the heat o’ the sun BY WILLIAM SHAKESPEARE (from Cymbeline) Fear no more the heat o’ the sun, Nor the furious winter’s rages; Thou thy worldly task hast done, Home art gone, and ta’en thy wages: Golden lads and girls all must, As chimney-sweepers, come to dust. Fear no more the frown o’ the great; Thou art past the tyrant’s stroke; Care no more to clothe and eat; To thee the reed is as the oak: The scepter, learning, physic, must All follow this, and come to dust. Fear no more the lightning flash, Nor the all-dreaded thunder stone; Fear not slander, censure rash; Thou hast finished joy and moan: All lovers young, all lovers must Consign to thee, and come to dust. No exorciser harm thee! Nor no witchcraft charm thee! Ghost unlaid forbear thee! Nothing ill come near thee! Quiet consummation have; And renownèd be thy grave!
3.
SONNET 8 - Shakespeare Music to hear, why hear'st thou music sadly? Sweets with sweets war not, joy delights in joy. Why lov'st thou that which thou receiv'st not gladly, Or else receiv'st with pleasure thine annoy? If the true concord of well-tuned sounds, By unions married, do offend thine ear, They do but sweetly chide thee, who confounds In singleness the parts that thou shouldst bear. Mark how one string, sweet husband to another, Strikes each in each by mutual ordering, Resembling sire and child and happy mother Who all in one, one pleasing note do sing: Whose speechless song, being many, seeming one, Sings this to thee: 'Thou single wilt prove none.'
4.
Sonnet 28: How Can I Then Return In Happy Plight - Shakespeare How can I then return in happy plight, That am debarred the benefit of rest? When day’s oppression is not eas’d by night, But day by night and night by day oppress’d, And each, though enemies to either’s reign, Do in consent shake hands to torture me, The one by toil, the other to complain How far I toil, still farther off from thee. I tell the day, to please him thou art bright, And dost him grace when clouds do blot the heaven: So flatter I the swart-complexion’d night, When sparkling stars twire not thou gild’st the even. But day doth daily draw my sorrows longer, And night doth nightly make grief’s length seem stronger.
5.
Sonnet 61: Is It Thy Will? - Shakespeare Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send’st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenor of thy jealousy? O, no! thy love, though much, is not so great: It is my love that keeps mine eye awake: Mine own true love that doth my rest def

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released October 27, 2021

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David Braid London, UK

David Braid, composer of some 180+ works, including 3 symphonies, a viola concerto & 90+ pieces including guitar, has had his work performed in Europe and the Americas & broadcast on BBC Radio 3.

Steve Reich said of his work ‘Morning’ (soprano/string qt) “Real honest stuff”.


Major UK performances include Wigmore Hall, Southbank Centre, King’s Place, Wilton’s Music Hall, 1901 Arts Club, etc.
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